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Gauguin, Paul --- Gogh, van, Vincent --- techniek --- conservatie --- Gogh, Vincent van --- Van Gogh, Vincent --- Criticism and interpretation --- Painting --- Technique --- Expertising --- techniek. --- conservatie. --- Van Gogh, Vincent. --- Gauguin, Paul.
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An historical and technical guide to the materials and techniques of European sculpture, based on the collections at the V&A. Casting, carving, and modeling practices are explored from medieval times onwards. Each chapter concentrates on a specific material or category.
Victoria and Albert Museum (Londen) --- beeldhouwkunst --- technieken --- materialen --- Europa --- Sculpture materials. --- Sculpture --- Sculpture, European. --- Technique. --- 73 <4> --- Molding (Clay, plaster, etc.) --- Modeling --- Artists' materials --- European sculpture --- Beeldhouwkunst. Sculptuur--Europa --- 73 <4> Beeldhouwkunst. Sculptuur--Europa --- Sculpture, European --- Sculpture materials --- Technique --- Victoria and Albert Museum (Londen). --- sculptuur. --- technieken. --- materialen. --- Europa. --- sculptuur
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Mariage d'amour de la couleur et du dessin (José-Maria de Heredia), le pastel fascine par sa texture crayeuse et par l'éclat de ses teintes. Conçu au départ pour rehausser les dessins, le pastel gagne peu à peu ses lettres de noblesse et devient un art à part entière. A travers une somptueuse iconographie, cet ouvrage retrace pour la première fois l'oeuvre des principaux artistes qui ont haussé le pastel au rang d'art majeur entre le XVIIIe et le XIXe siècle : Maurice Quentin de La Tour et ses portraits plus vivants que nature, Jean-Etienne Liotard et sa précision captivante; un siècle plus tard, Edgar Degas et ses danseuses aux tutus éclatants comme des bouquets, ou encore Odilon Redon et ses couleurs irradiantes, nourries à la source du rêve et de l'imagination. A côté de ces pastellistes renommés, cet ouvrage met en lumière une pléiade d'artistes qui grâce au pastel s'aventurent hors des sentiers battus : Joseph Vivien, Adélaïde Labille-Guiard, Gustav Lundberg, John Russell, Eugène Boudin, Jean-François Millet, Giuseppe de Nittis, Edouard Manet, Berthe Morisot, Mary Cassat, James McNeill Whistler, William Merritt Chase, Louise Breslau, Fernand Khnopff.
Pastel drawing. --- Pastel drawing, French --- Pastel --- Pastel français --- Pastel drawing --- Histoire de la peinture --- Dessin --- Peinture, technique --- Technique --- Histoire --- 75.02 --- 741.02 --- Schilderkunst ; technieken ; materialen ; pastel --- Tekenkunst ; technieken ; materialen ; pastel --- Pasteltekeningen ; 16de tot 19de eeuw --- Schilderkunst ; technieken --- Tekenkunst ; technieken --- Pastel français --- Histoire. --- pastel --- techniek --- kunsthandel --- vrouwelijke kunstenaars --- De La Tour, Maurice Quentin --- Carriera, Rosalba --- Liotard, Jean-Etienne --- Russell, John --- Millet, Jean-François --- Manet, Édouard --- Degas, Edgar --- Cassatt, Mary --- Whistler, James Abbott McNeill --- Redon, Odilon --- Pastel drawing - Technique --- pastel. --- techniek. --- kunsthandel. --- vrouwelijke kunstenaars. --- De La Tour, Maurice Quentin. --- Carriera, Rosalba. --- Liotard, Jean-Etienne. --- Russell, John. --- Millet, Jean-François. --- Manet, Édouard. --- Degas, Edgar. --- Cassatt, Mary. --- Whistler, James Abbott McNeill. --- Redon, Odilon.
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Color in art --- Composition (Art) --- Nature (Aesthetics) --- Painting --- Perspective --- Couleur dans l'art --- Nature (Esthétique) --- Peinture --- Technique --- Color in art. --- Brunelleschi Filippo --- Dürer Albrecht --- Velazquez Diego --- Rubens Peter Paul --- Poussin Nicolas --- von Helmholtz Hermann --- Newton Isaac --- Galilei Galileo --- perspectief --- kunstgeschiedenis (algemeen) --- Perspective. --- Technique. --- kunst --- mimesis --- optica --- kleurenleer --- Piero della Francesca --- da Vinci Leonardo --- Turner Joseph Mallord William --- Ruskin John --- Aristoteles --- meetkunde --- Seurat Georges --- kleur --- 742 --- 7.017 --- Brunelleschi, Filippo --- Dürer, Albrecht --- Rubens, Pieter Paul --- Turner, Joseph Mallord William --- Da Vinci, Leonardo --- Painting - Technique. --- perspectief. --- kunstgeschiedenis (algemeen). --- Optique dans l'art
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Beeldhouwkunst technieken --- 73.02 --- sculpture techniques --- brons --- steen --- klei --- was --- gips --- giettechniek --- natuursteen --- rubber --- kunsthars --- metaal --- Beeldhouwkunst ; technieken --- Sculpture --- beeldhouwkunst --- beton --- hout --- kunst --- techniek --- Molding (Clay, plaster, etc.) --- Modeling --- Technique --- sculptuur. --- techniek. --- sculptuur
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schildertechnieken --- impressionisme --- Impressionism (Art) --- -Painting, French --- -Painting, European --- -Painting --- -Light in art --- -75.036.2 --- 75.02 --- Schilderkunst ; Impressionisme ; technieken --- Schilderkunst ; 19de eeuw --- Light and darkness in art --- Chiaroscuro --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- European painting --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Aesthetics --- Art, Modern --- Modernism (Art) --- Painting --- Post-impressionism (Art) --- Technique --- -Technique --- -Schilderkunst ; impressionnisme ; luminisme --- Schilderkunst ; technieken --- Wallraf-Richartz-Museum--Fondation Corboud --- -Exhibitions --- -Wallraf-Richartz-Museum & Fondation Corboud --- Wallraf-Richartz-Museum --- Exhibitions --- schildertechnieken. --- impressionisme. --- -Wallraf-Richartz-Museum--Fondation Corboud --- -schildertechnieken --- -Wallraf-Richartz-Museum--Fondation Corboud -
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Franse titel : N15690 : Geoerges Lemmen 1865-1916 : [ Exposition.. ]
painters [artists] --- illustrators --- pointillism [painting technique] --- Impressionist [style] --- engravers [incisers] --- artists [visual artists] --- Lemmen, Georges --- Catalogues d'expositions --- Lemmen, G. --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Exposition --- Ixelles --- Peintres --- Georges Lemmen 1865-1916 (°Brussel) --- Schilderkunst ; 1880-1916 ; Georges Lemmen --- Belgische kunstenaars --- Nabis --- Neo-Impressionisme --- Les Vingt (Les XX) --- Decoratieve kunstnijverheid --- Tentoonstellingscatalogi ; Gemeentelijk Museum Elsene --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Exhibitions --- Lemmen, Georges.
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exhibiting --- museology --- Museology --- Art --- Museum Boymans-van Beuningen [Rotterdam] --- anno 1800-1999 --- Netherlands --- musea --- museumkunde --- anno 1900-1999 --- anno 1800-1899 --- Musea --- Architectuur --- 19de eeuw --- 20ste eeuw --- Museum exhibits --- Museum techniques --- History --- Museums --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Technique --- 19th century --- 20th century --- Applied museology --- Museography --- Museum practices --- Museum studies --- museumkunde. --- 19de eeuw. --- 20ste eeuw.
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The Hamburger Kunsthalle is showing the most extensive retrospective to date of the work of Belgian artist Philippe Vandenberg (1952-2009), comprising some 80 paintings and over 120 drawings and prints. This is the first show devoted to Vandenberg in Germany, inviting visitors to discover an important artist who may be unfamiliar to them. Highly acclaimed in his home country of Belgium, Vandenberg produced a radical and unsparing œuvre that is just now achieving greater international prominence. The title of the exhibition, Kamikaze, describes the artist's drastic working methods and results, a basic precept of which is that creativity is only possible through the deliberate destruction of what has gone before. Going beyond any single artistic "style", Vandenberg created complex images of our times which resonate with both contemporary pertinence and existential significance. The majority of the works on loan came from the artist's estate and are now being presented to the public for the first time. Exhibition: Hamburger Kunsthalle, Germany (16.11.2018 - 24.02.2019).
Vandenberg, Philippe --- Painting, Belgian --- exhibitions --- Vandenberg, Philippe, --- Painters --- Biography --- Attitudes --- Drawing --- Painting --- drawings [visual works] --- easel paintings [paintings by form] --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- Vandenberg Philippe --- tekenkunst --- schilderkunst --- 741.071 VANDENBERG --- 75.071 VANDENBERG --- Exhibitions --- Art --- drawing [image-making] --- painting [image-making] --- collage [technique] --- blood [animal material] --- 75.07 --- Vandenberg, Philippe 1952-2009 (°Gent, België) --- Belgische kunstenaars --- Schilderkunst ; schilders --- Nonobjective --- texts [documents] --- Vandenberg, Philippe, - 1952-2009 --- Vandenberg, Philippe, 1952-2009 --- Vandenberg, Philippe.
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De Britse schilder David Hockney (1937) speelt in dit boek de rol van detective. Ruim twee jaar lang bestudeerde hij de schildertechnieken van de Oude Meesters uit de kunstgeschiedenis van het Westen. Tijdens zijn zoektocht ontdekte hij dat, vermoedelijk al sinds 1430, gebruik werd gemaakt van optische technieken om zodoende het tekenen te vergemakkelijken. Hockney heeft dezelfde technieken uitvoerig uitgeprobeerd en er honderden portretten mee gemaakt. Daarnaast heeft hij uitvoerig gecorrespondeerd met wetenschappers en kunsthistorici over dit onderwerp. Naast het visuele gedeelte komt het schriftelijk bewijsmateriaal aan bod. Naast een verzameling van citaten en illustraties, gekozen uit vele documenten die zijn stelling onderbouwen, worden de camera obscura en de camera lucida uitvoerigbehandeld, met een aantal teksten over de geheimhouding van de toepassing in het verleden. David Hockney biedt met dit prachtig geïllustreerde boek (kleur, zwart-wit) een geheel nieuw inzicht in de schilderkunst van het Westen.
technieken --- Hockney, David --- Painting --- Aesthetics of art --- perspective [technique] --- perspectief --- schildertechnieken --- painting techniques --- Schilderkunst ; geschiedenis --- 7.02 --- 75.01 --- 75.02 --- 75.07 --- Hockney, David °1937 (°Bradford, Groot-Brittannië) --- Kunstbeschouwing ; technieken ; van de oude meesters --- Schilderkunst ; technieken ; optische instrumenten en projecties --- Campin Robert --- Caravaggio --- David Hockney ; vertaling Murk Salverda --- Frankrijk --- Giotto --- Ingres Jean-Auguste-Dominique --- Italië --- Nederlanden --- Pisanello --- Raphaël --- Spanje --- Van Eyck Jan --- Vermeer Johannes --- camera obscura --- kunst --- lenzen --- optica --- schetsen --- schilderkunst --- schildertechniek --- tekenkunst --- van Dyck Antoon --- vijftiende eeuw --- zestiende eeuw --- 667.6 --- verftechnieken --- 741 --- geschiedenis --- tekenen --- tekentechnieken --- Kunst ; technieken --- Schilderkunst ; theorie, filosofie, esthetica --- Schilderkunst ; technieken --- Schilderkunst ; schilders --- verfstoffen - verftechnieken --- praktijk van schilderen en tekenen, algemene handleiding en --- 75 --- Schilderkunst --- Geschiedenis --- Schildertechnieken --- Vlaamse Primitieven --- oude meesters --- Schildertechniek --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Tekenkunst --- Vlaamse primitieven --- Vlaamse primitieven. --- oude meesters. --- Hockney, David.
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